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致我母亲的死亡在线观看

致我母亲的死亡

名称:【致我母亲的死亡】


主演:Birte,Schnöink,埃尔希·德·布劳,Christian,Löber
类型:剧情
国家/地区:其它
语言:其它
首播:2026-01-29
评分:8.0

线路六在线播放:

剧情简介:

  When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
  Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.

常见问题

  • Q:《致我母亲的死亡》是什么时候在本站上映的?

  • A:这部影片的上映时间是2026-01-29

  • Q:《致我母亲的死亡》的主演有哪些?

  • A:《致我母亲的死亡》由 Birte,Schnöink,埃尔希·德·布劳,Christian,Löber演员 领衔主演。

  • Q:《致我母亲的死亡》主要讲了什么?

  • A:《致我母亲的死亡》主要讲:

      When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
      Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.

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